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SHORT VITA
FRIEDERIKE KIENLE / CONDUCTOR

Alert and attentive music-making is what conducting and music direction mean to Friederike Kienle. She brings fresh ideas and an open-minded attitude to making classical music. For her, an orchestra represents an opportunity to create a community and lasting memories, both artistic and interpersonal.

SUCCESSFUL Start
This vision has motivated her performances as a conductor with the Stuttgart Philharmonic Orchestra, the Munich Symphony Orchestra, the Württemberg Philharmonic of Reutlingen, the Southwest German Philharmonic Orchestra of Constance, the Stuttgart Chamber Orchestra, the Southwest German Chamber Orchestra of Pforzheim and orchestras in Bulgaria, Japan and the USA. Her passion for symphonic repertoire is matched by her love of opera. She has conducted opera productions at the Rousse Opera and Philharmonic Society (Bulgaria), the State Opera Bourgas (Bulgaria) and the Sapporo Opera Festival (Japan) and has assisted at the Stuttgart Opera School on a number of occasions, conducting concert performances of Weill’s Street Scene, Nicolai’s Die Lustigen Weiber von Windsor and Donizetti’s Viva la Mamma!.
MUSICIAN AT HEART
HIGHLIGHTS 2024 / CD-PRODUKTION PAUL BEN-HAIM
A highlight for her in 2024 will be performing and recording the works of the composer Paul Ben-Haim, who was born in Germany in 1897 and emigrated to Tel Aviv in 1933. In collaboration with the cellist Ofer Canetti and the Württemberg Philharmonic of Reutlingen, Friederike Kienle will be recording Ben-Haim’s Sonata for Strings, the Cello Concerto and the orchestral version of Three Songs Without Words for the label Capriccio.
DIVERSITY / FEMALE COMPOSERS/ COMPOSERS OF COLOR
In 2023/2024 she headed a comprehensive research project on works by female composers and composers of colour for SWR’s Diversity Group. These new and high-quality works have expanded Kienle’s repertoire, and she now actively champions concerts with diverse programs.
NEW INITIATIVES
In 2020, she founded the chamber-symphonic group Ensemble Balance in Stuttgart, which she has conducted and artistically directed ever since. In 2020, she recorded an arrangement of Bruckner’s Symphony No. 7 for 11 instruments with the ensemble for the SWR. This was followed by live streams of symphonic, education and opera programs with the wordsmith Timo Brunke. Her work with Ensemble Balance earned her the Neustart Kultur scholarship along with grants to promote artistic endeavours from the Baden-Württemberg Ministry of Science, Research and Arts. In 2021, Friederike Kienle and the musicians of Ensemble Balance launched the innovative Balance concert series in the cultural community space of the Berger Kirche in Stuttgart. The concert series is striking due to the modern format of its concerts, uniting artists, audiences, young talent and social interaction – a place for dialogue with and about music, and for all generations from all social backgrounds.
ACKNOWLEDGMENT
EDUCATION / STUDIES

Friederike Kienle began her musical career as a cellist, performing concerts internationally. In 2012 during a ten-year period in Sapporo, Japan, she began studying orchestral conducting, initially with Prof Tatsuya Shimono in Tokyo. In Sapporo, she founded the Young Hokkaido Philharmony, with which she conducted, among other works, a cycle of all nine Beethoven symphonies. In 2018, she returned to Germany, completing her studies with a master’s degree at the State University of Music and Performing Arts in Stuttgart in the class of Prof. Rasmus Baumann. She attended masterclasses with Kurt Masur, Roberto Rizzi Brignoli and Stefan Blunier.

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